Download Paul Harris - Close Up Seduction- Card Tricks PDF

TitlePaul Harris - Close Up Seduction- Card Tricks
File Size3.2 MB
Total Pages154
Document Text Contents
Page 2

Close-Up
Seductions

By Paul Harris

1. BUSHWACKER ................ 1
2. SEDUCTIVE SWITCH ........... 10
3. SENSUOUS SHUFFLE .......... 20
4. CAB FARE .................... 37
5. LIMOUSINE SERVICE .......... .43
6. FAN DANCE .................. 50
7. AIR OF MYSTERY ............. .59
8. DEJA VU By Mike Giles, Pat Snowden,

Dana Betz, and P.H. ............... 69
9. MICHAEL'S PROPOSITION

By Michael Ammar and P.H. .......... 75
10. "10" By Jay Sankey and P.H. ........ 79
11. LOOKER By Terry Lagerould ........ 85
12. BLUE TATOO. ................ .87
13. UNHINGED .................. 101
14. SLEIGHT-OF-EAR ............. 111
15. BLEACHED BLONDE .......... 117
16. TOO SLICK .................. 133
17. SWEET STUFF ............... 140
18. WONDERWOMAN ............. 147

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Page 154

Take apart the Wonder Woman and re-assemble the deck. It's okay to shuffle
the cards . . . but don't get fresh.

Presentation:

The action and the presentation of Wonder Woman are a direct function of
each other ... so you'll already know the basic presentation from having learned
the routine.

To get into "Wonder Woman," I wait for someone to ask if I can tell fortunes.
If I'm in hurry I'll bring up the subject myself. The opening remarks go something
like this:

"No, I don't tell fortunes, but there is a way of using the cards to accurately
reveal a person's character. I'll shuffle the cards so that they can do a personality
profile on me first — just so you know it's not dangerous, then I'll let you shuffle
the deck so that I can learn all about you ..."

And so begins the final Close-up Seduction.

I can't think of a better use of cards than to let someone know that you think
they're nice.

... for me, that's what close-up is all about.

Official Notice Of Appreciation For
Close-Uppers Everywhere!

For stretching your imaginations and opening your minds to explore the inner
and outer limits of Close-up.

remember to be real

P.H.

152

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